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Author by: Kristopher Spencer Language: en Publisher by: McFarland Format Available: PDF, ePub, Mobi Total Read: 80 Total Download: 481 File Size: 43,6 Mb Description: Hollywood film scores underwent a supersonic transformation from the 1950s through the 1970s. This genre-by-genre overview of film and television soundtrack music covers a period of tremendous artistic and commercial development in the medium. Blaze Media Pro 9.1 Serial. Film and television composers bypassed the classical tradition favored by earlier screen composers to experiment with jazz, rock, funk and avant-garde styles. This bold approach brought a rich variety to film and television productions that often took on a life of its own through records and CDs. From Bernard Herrmann to Ennio Morricone, the composers of the Silver Age changed the way movie music was made, used, and heard. The book contains more than 100 promotional film stills and soundtrack cover art images. Author by: Tim Bergfelder Language: en Publisher by: Berghahn Books Format Available: PDF, ePub, Mobi Total Read: 98 Total Download: 133 File Size: 40,9 Mb Description: West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the 'New German Cinema.'
Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as 'Daddy's Cinema.' 'International Adventures' provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment. 'International Adventures' firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.