Software Penerjemah Bahasa Video Games

IT, Marketing, HR, Business, Legal, Interpreter Account type Freelancer, Verified member This person previously served as a ProZ.com moderator. This translator is helping to localize ProZ.com into Indonesian Data security Created by Evelio Clavel-Rosales This person has a SecurePRO™ card. Because this person is not a ProZ.com Plus subscriber, to view his or her SecurePRO™ card you must be a. Affiliations Blue Board: Services Translation, Interpreting, Editing/proofreading, Website localization, Software localization, Voiceover (dubbing), Subtitling, Desktop publishing Expertise Specializes in: Law: Taxation & Customs Games / Video Games / Gaming / Casino Business/Commerce (general) IT (Information Technology) Computers (general) Computers: Software Social Science, Sociology, Ethics, etc.

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Finance (general) Internet, e-Commerce General / Conversation / Greetings / Letters. English to Indonesian: ENTRY_2683 In collaboration with Source text - English All travel is now merely a means of moving a camera from place to place, all travellers are ruled by the all-powerful lens. Visitors old-fashioned enough to wish only to stand and look with their anachronistic eyes are shoved aside by the photographers, who take it for granted that while they do their ritual focusing, nothing else may move or cross their vision. Those peculiar souls without a camera must step aside for those more properly occupied, must wait while the rituals take place, and must bide their time while whole coaches stop and unleash upon the landscape the Instamatic God. And the populations of whole countries seeing themselves cannibalised, swallowed up, vacuumed into the black-ringed staring eye, wrench what they can from the cannibals.

You want picture my house, my camel? None of this would matter, perhaps, if anything worthwhile was being accomplished. If all the constant busyness and clicking produced, at its end, what had not existed before, images of beauty captured or truth told. But, sadly, this isn't so. The camera is simply graffiti made respectable.

The camera is the means by which we stamp ourselves on everything we see, under cover of recording the Wonders of the World already wonderfully recorded by professionals and on sale at every corner bookshop and newsagent. But what use to show Aunt Maud, back home, postcards of the Tuscan landscape, since we are not in the picture to prove that we were there?

Onkyo Rc-710m Manual more. No stretch of rocks has verity unless I am within it. No monument exists but for my wife, leaning against it. No temple is of interest without my face beside it, grinning. With my camera I appropriate everything beautiful, possess it, shrink it, domesticate it, and reproduce it on my blank sitting-room wall to prove to a selected audience of friends and family the one absolutely vital fact about these beauties: I saw them, I was there, I photographed them, and, ergo, they are. From 'Amateur Photography: the World as it isn't and our Fred' by Jill Tweedie in the Guardian Translation - Indonesian Dewasa ini wisata pelancongan tidaklah lebih dari sekedar cara memindahkan sebuah kamera dari satu tempat ke tempat lainnya, semua pelancong berada di bawah kendali lensa kamera yang benar-benar berkuasa. Pengunjung yang cukup ketinggalan jaman, yang hanya ingin berdiri dan memandang keindahan dengan mata kuno mereka didesak minggir oleh para fotografer, yang menganggap dengan sendirinya bahwa tidak boleh ada yang bergerak atau menghalangi pandangan mereka ketika mereka melakukan ritual mereka memfokuskan gambar. Manusia-manusia aneh tanpa kamera itu harus menyingkir kepada mereka yang lebih berbobot, harus menunggu ketika ritual ini berlangsung, dan harus menantikan giliran mereka ketika seluruh isi bis berhenti dan merelakan seluruh bentang alam kepada Sang Dewa Kodak Instamatic.