Hieroglyphic Being The Urantia Project Rar
Review: Jamal Moss, aka Hieroglyphic Being, returns this time under the alias Africans with Mainframes. With fellow Chicagoan Noleian Reusse they have been releasing music under the name Africans with Mainframes for over 15 years now. The KMT LP is the debut album from the group, a collage of apocalyptic Chicago acid meets industrial and transcendental post-house machine funk. Both intense and unique, the album of forward-thinking, experimental, boundary-pushing Afro-futurist electronic music shows why Hieroglyphic Being is regarded as one of the most serious purveyors of experimental electronic music today. Review: After a veritable deluge of cassette releases within the space of the past few years, Vincent @DRVG CVLTRE' Koreman's New York Haunted label has latterly begun issuing vinyl too.
Jamal Moss aka Hieroglyphic Being will release his definitive solo album of 2016 – The Disco’s Of Imhotep – via Ninja Tune’s Technicolour imprint on 5th August. Messier Dowty Standard Practices Manual. The Urantia Project by Hieroglyphic Being, released 20 January 2011. Jamal Moss aka Hieroglyphic Being will release his definitive solo album of 2016 – The Disco’s Of Imhotep – via Ninja Tune’s Technicolour imprint on 5th August.
A recent 12' from Biosphere kick started this new phase for NYH, and the label swiftly returns with a split release packing some heavyweight contributions. Quite appropriately named The Real Deal, this 12' pairs together productions from Terrence Dixon, Pete Swanson, Hieroglyphic Being and Drvg Cvltre himself! Despite his apparent retirement from production, Dixon remains a powerful presence in techno and his 'Stardust' is every bit as mind-warping as the music pressed on his recent Reduction releases. Swanson's 'Dirty Work' is the epitome of abrasive, yet there is a beat discernible amidst the stew of white noise, and it sets the tone nicely for 'Speaking In Tongues' by Hieroglyphic Being. For a finale, Drvg Cvltre lays down the ominous 'Torn Apart By Teeth Or Bullits'.
Review: If Brian Eno has Ambient1: Music For Airports, than Hieroglyphic Being has Imaginary Soundscapes 9. Hieroglyphic Being's 2013 LP, released through his + + + sub-label of Mathematics, gradually proceeds from outer-planetary electronics, jilted ambience and Cagean influences to the raw and unruly drum productions that Jamal R.
Moss has made his own. It's the first LP for Moss on the + + + label - an imprint inspired by 'Alternative Theory's & Formulation's of Mathematics with Principles of Regrouping' and highlights the complex and cosmological thought that goes into the American producers productions. One for the adventurous DJ, eclectic mind or Hieroglyphic Being completists. Review: The multi faceted, relentlessly interesting Jamal Moss returns to his Hieroglyphic Being form to deliver another four track EP that explores the experimental side of tribal techno. Out on his Mathematics label, 'A Visitor From Someone Else's Memories' contains all the trademark Hieroglyphic Being cassette fuzz, abstract acid lines and wild and delirious synths.
Toning down his industrial influences for this release, here we find Moss operating in a lush, psychedelic mode enabling him to turn in some of his most fascinating sounds yet. In a recent interview with Juno Plus, Moss said he 'had never been in the now or the know', and with yet another superb and inimitable release under his belt, let's hope he stays that way. Review: Anyone with a firm grip of Jamal Moss's output in recent years will fully understand that the Mathematics boss reserves his most twisted and messed up productions for the rarely used +++ label, but you still need to approach this latest edition with caution as the A Side is mangled audio in the supreme. Rachmaninov Kreisler Liebesleid Pdf. Originally founded as an outlet for HG material recorded during the 90s and rediscovered from the archives of his Galaxy Studios, it's hard to say where +++ is at now, other than in a place all on its own.
It's a challenge in itself to sit through opening track 'How Wet Is Your Box' which is more akin to hearing a neighbour rotate through the FM airwaves. 'Siddhartha (part 1)' is just as obtuse, sounding very much like its been dredged up from some dust caked tape and pressed direct to vinyl, though at least there's some semblance of a saturated beat to hang onto. 'Long Live The Flesh' is quite brilliant, one long loop of jack hammering disco replete with barely audible screams of joy that seems like it could go on for infinity. Idoser 4.5 300 Doses. Proceedings end with the title track 'The Human Experience' a production that exemplifies perfectly Moss's unchallenged art of mastering the sonically deranged. Review: The Lost Transmissions marks a second dosage of Hieroglyphic Being wrongness on Rabih Beaini's Morphine Records label, arriving some months after the Mathematics boss' bewildering take on Madteo's 'Freak Inspector' as part of the Redose-1 release. It's the first full Jamal Moss Doser release in some years however and finds the Chicago native in typically uncompromising form, opening with a reworked version of the title track which originally surfaced on one of those limited Mathematics CDrs in 2010. Markedly slower and cut down in length slightly, this new version still frazzles brains all the harder, trudging slowly towards sonic oblivion and adopting a harsher and increasingly more schizophrenic approach as it progresses.